About Sara
Actor. Director. Educator. Intimacy Choreographer.
Sara Bickweat Penner (she/her) is an actor, director, intimacy director and voice and movement specialist who has worked extensively in theatre in NYC, Chicago, and regionally throughout the U.S. She holds an MFA from The Actors Studio, The New School for Drama and has worked with Arthur Penn, Lloyd Richards, Robert Lupone, Paul Rudd, Joe Calarco, Vernice Miller, and Elizabeth Kemp and many others. She has performed and produced in the NY, Berkshire, Minneapolis and Rochester Fringe Festivals and loves the creation of new work or the reimagining of established plays in a new way. As an intimacy director Sara is passionate about collaborating in rehearsal rooms where she can support the director’s vision and the actors’ boundaries so that artists can create their bravest, truest, most imaginative work (accredited by IDC, Level 4).
Sara is a senior lecturer of acting, voice and movement in the University of Rochester’s International Theatre Program and works in both academic and professional settings. In 2022 Sara received a Teaching Innovation Grant to create instructional touch policies, practices and coursework at UR on Consent in Performance, and developed an Eastman Institute for Music leadership course in Spring 2023 for vocal performance and opera students. Sara is resident intimacy director for URITP, and her intimacy and movement direction has been on stages at Nazareth College, RIT/ National Technical Institute for the Deaf, Geva Theatre, RCP’s Shakespeare in the Park, The Company Theatre’s Temple Theatre, ROC JCC CenterStage, The Musical Theatre Company Chicago, and many others. She has taught workshops on Intimacy Direction and Consent in Performance at Geva Summer Academy, SUNY Brockport, Rochester Institute of Technology, Eastman School of Music, and Blackfriars Theatre.
I’m a proud multi-hyphenate. Learn more below…
Intimacy Director
Innovative Storyteller, Brave Space Facilitator, Joyful Creator and Bridgebuilder.
TESTIMONIALS
I learned so much about how to work with a cast, use my voice and project, as well as how intimacy should be choreographed and run for shows. It was a very eye-opening experience. Intimacy was most useful aspect of the production because I learned things I will use for the rest of my life.
Working on this show was one of the most freeing experiences of my life. She trusts us with our talent, lets us play, and gently guides us toward her vision.
I really grew in the role I had to play. It was a great experience overall and having Sara as an acting coach to help us one on one was so valuable to me as that kind of support would have been a lot for a director to give with such a big cast. I knew she had my back and I knew she was helping me find what the director wanted for the character in a way that made sense for me.
She was wonderful, she taught us how to warm up and use our voices and scream without hurting ourselves.
This cast, director, and artistic team should be extremely proud of staging a production of Indecent that is just as good as the Broadway original…the passion and beauty of all the characters brought to life by Sara Michelle Penner and Maya June Dwyer, all culminate in one of the JCC’s best productions to-date.